VinceND

VinceND

60 36
  • The London Palladium, bloc: Stalls, rangée: F, place: 19
    Evita
    Amazing seat! Not much a rake.
  • Gielgud Theatre, bloc: Stalls, rangée: C, place: 7
    Oliver
    2 rows back and more in the center would be better, but this seat is sold at a discount for a reason.
  • Lyttelton at the National Theatre, bloc: Stalls, rangée: L, place: 24
    Inter Alia
    Could be about 3-5 rows closer, but these were the only seats available. Large and comfortable seat though with good raking.
  • Booth Theatre, bloc: Orchestra C, rangée: G, place: 105
    John Proctor Is The Villain
    Really good seat, I would have preferred to be 4 rows closer, but I like to sit really close.
  • Circle in the Square Theatre, bloc: Floor (Even), rangée: FB, place: 216
    Just In Time
    Really this is just the 2nd row of the 200 Even side. It's not raked, so a tall person could block some things (really just one scene where Groff sits down on the center). Probaly Row A of the 200 Odd or Even is better. Still an amazing seat.
  • Troubadour Wembley Park Theatre, bloc: Platform 1, rangée: B, place: 21
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    Publicité
  • Harold Pinter Theatre, bloc: Stalls, rangée: F, place: 13
    Giant
    Great seat. 2 rows up may be even more ideal, but I like to sit very close.
  • Gillian Lynne Theatre, bloc: Stalls, rangée: D, place: 40
    My Neighbour Totoro
    Perfect seat
  • Criterion Theatre, bloc: Stalls, rangée: D, place: 8
    Titanique
    Good view of the stage, but underneath the speaker is a bit loud. 3 seats in the center would be much better.
  • Music Box Theatre, bloc: Orchestra C, rangée: G, place: 104
    The Picture of Dorian Gray
    I love sitting very close up, but for this show, probably okay (and better?) to sit no closer than row D to avoid craning your neck for the screens.
  • Palace Theatre, Broadway, bloc: Orchestra R, rangée: E, place: 110
    Glengarry Glen Ross
    Great seat, but a tall person can still slightly mess up your sight line. The rows are decently raked. Not a ton of leg room, but for 5'9, I was comfortable.
  • Belasco Theatre, bloc: Orchestra C, rangée: H, place: 101
    Maybe Happy Ending
    I really love sitting close (on account of poor vision), but for this show, I wouldn't recommend any closer the 2 rows ahead of this because of high, high projections. This seat was perfect.
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    Publicité
  • Mainstage at the New York City Center, bloc: Orchestra C, rangée: BB, place: 117
    Ragtime
    Plenty of legroom. Low stage. Perfect seat!
  • St. James Theatre, bloc: Orchestra C, rangée: B, place: 105
    Sunset Boulevard
    Most people would prefer to sit ~3 rows back to see the projections. But I loved being really close to the actors. Would sit here again!
  • Lyceum Theatre, Broadway, bloc: Orchestra C, rangée: C, place: 110
    Oh, Mary!
    Very close, but low stage. A for this show!
  • John Golden Theatre, bloc: Orchestra C, rangée: H, place: 111
    Stereophonic
    I was advised to sit no closer than row K, but I prefer really close seats due to my vision. I think row H is a good balance of being able to see the recording studio. I think row E or F might be better for those who like close seats.
  • Circle in the Square Theatre, bloc: Orchestra 200 (Even), rangée: A, place: 206
    An Enemy of the People
    A little more center would be nice, but truly an amazing seat.
  • Bernard B. Jacobs Theatre, bloc: Orchestra C, rangée: E, place: 111
    The Outsiders
    Being this close was good for facial expressions, but you don't get to see the sand on the ground. Maybe 1-2 rows back would be a good compromise. I'd sit here again.
  • Nederlander Theatre, bloc: Orchestra C, rangée: E, place: 111
    The Who's Tommy
    If someone tall sits in front of you, it's going to be tough to see. Not much raking of the seats. It's a great seat if you don't have a tall person in front of you.
  • Imperial Theatre, bloc: Orchestra C, rangée: B, place: 105
    Water for Elephants
    Some may want to sit further back to appreciate the dancing and acrobatics, but this really was a great seats for the facial expressions.
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